Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Charles Jervas
Portrait of Charles Boyle

ID: 82926

Charles Jervas Portrait of Charles Boyle
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Charles Jervas Portrait of Charles Boyle


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Charles Jervas

Charles Jervas (c. 1675 - 1739) was an Irish portrait painter, translator, and art collector of the early 18th century. Born in County Offaly,Ireland around 1675, the son of John Jervas and Elizabeth, daughter of Captain John Baldwin of Shinrone Castle & Corolanty, High Sheriff of County Offaly. Jervas studied in London, England as an assistant under Sir Godfrey Kneller between 1694 and 1695. After selling a series of small copies of the Raphael Cartoons circa 1698 to Dr. George Clarke of All Souls College, Oxford, the following year he travelled to Paris and Rome (while financially supported by Clarke and others) remaining there for most of the decade before returning to London in 1709 where he found success as a portrait painter.  Related Paintings of Charles Jervas :. | Portrait of William Augustus | Portrait of Anne of Great Britain | Portrait of King George II | Portrat der Lady Mary Wortley Montagu | Portrait of Charles Boyle |
Related Artists:
puccini
Period: Post-Romantic (1870-1909) Country: Italy Born: December 22, 1858 in Lucca, Italy Died: November 29, 1924 in Brussels, Belgium Genres: Chamber Music, Miscellaneous Music, Opera, Vocal Music
Sebastiano del Piombo
1485-1547 Italian Sebastiano del Piombo Galleries Italian painter. He was one of the most important artists in Italy in the first half of the 16th century, active in Venice and Rome. His early, Venetian, paintings are reminiscent of Giovanni Bellini and to a lesser extent of Giorgione. With his move to Rome in 1511 he came under the influence of Raphael and then of Michelangelo, who supplied him with drawings. After the death of Raphael (1520) he was the leading painter working in Rome and was particularly noted as a portrait painter. In his finest works, such as the Piete (1513; Viterbo, Mus. Civ.) and the Flagellation (1516-24; Rome, S Pietro in Montorio), there is a remarkable fusion of the Venetian use of colour and the grand manner of central Italian classicism.
Ilja Jefimowitsch Repin
1844-1930






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